Willoughby's Return by Jane Odiwe - a review

It is with considerable trepidation that I ever read a sequel to one of Jane Austen's novels, because they seldom accord with my own opinion of how the story could or should continue. The tagline of Willoughby's Return, though, drew me in straight away - "A tale of almost irresistible temptation".

The premise is delicious. Marianne Dashwood is now happily married to Colonel Brandon, and mistress of Delaford. Her life is everything it should be, and she is perfectly happy and conscious of her own good fortune. All that remains is to see her now eighteen-year-old sister Margaret settled as advantageously.

Enter the "almost irresistible temptation". Willoughby's sudden return into the neighbourhood disrupts this happy scene and makes Marianne increasingly uneasy. He makes it clear, very early in their reacquaintance, that he greatly regrets his marriage and is as much in love with her as ever.

Colonel Brandon's ward's daughter, Lizzy, is a frail, ill child, and Brandon frequently travels away from home to help tend to her. This places an increasing strain on the Brandons' marriage, and makes the temptation of Willoughby's attentions all the more powerful.

Jane Odiwe follows the form of Jane Austen's novels admirably. She weaves the existing characters with such new characters as Jane Austen herself would approve. We are introduced to the indolent invalid Lady Lawrence; her dashing son Henry; and my favourite new character, Mademoiselle de Fontenay, who is surely modelled on Jane Austen's own cousin, Eliza de Feuillide. Old favourites, such as Lucy Ferrars, make a number of appearances and are as irritating as ever.

But, here's the rub. My objections to Willoughby's Return are not based on any failings in the novel itself, but rather in my own expectations - as I mentioned at the beginning. My Marianne would be happily married, but in a quieter, more sedate way, rather than the passionate love affair portrayed here. My Marianne would be more jaded, grateful to Colonel Brandon for loving her despite her indiscretions, because my Marianne was no virgin when she married.

(Regular readers of this blog might remember an earlier post on this subject - if you'd like to read it again, it's here: http://janetravers.blogspot.com/2010/02/jane-austen-and-sex-before-marriage.html )

However, the ending is satisfying and is all that it should be, even for me. Jane Odiwe's interpretations of Jane Austen's works might differ slightly from my own, but I thoroughly enjoyed this sequel, and the characters have stayed with me - particularly the masterful creation, Mademoiselle de Fontenay, who could have been created by Jane Austen herself.

As an Austen-related work I give it 4 out of 5.

"I think he must be Irish by his ease"

For the day that's in it (as we say here in Ireland), I thought I'd look very quickly at Jane Austen's attitude towards Ireland in honour of St. Patrick's Day. Please pardon the extremely short synopsis of Irish history which is to follow!

Ireland, to Jane Austen, was an alien country. In a letter to her niece Anna in 1814, famously advising her on her own novel, she wrote:

"And we think you had better not leave England. Let the Portmans go to Ireland, but as you know nothing of the manners there, you had better not go with them. You will be in danger of giving false representation."

It was advice she had used herself in her own writing. In The Watsons, her incomplete novel begun while living in Bath, we learn that Emma Watson's aunt has married Captain O'Brien and gone to live with him in Ireland. Captain O'Brien's character is not good; he appears to be a fortune hunter, and it is likely that the marriage will be unhappy. Of Ireland, Mr Edwards says "I do not wonder that you should not wish to go with her into that country, Miss Emma." In her later novel Emma, Jane Fairfax returns to Highbury to live with her Aunt Bates rather than accompany the Campbells, with whom she had been living, to Ireland.

Although Jane Austen grew up during a time of great unrest in Ireland, like many of her peers she seems to have known little of events there. Ireland at the time was divided squarely into two categories; the poor Catholic "native" Irish and the (usually) wealthy, land-owning Protestant Irish (Church of Ireland). Even the disastrous Irish rebellion of 1798 went unremarked upon by her letters or novels, even though she alludes to news of her "Irish friend" in letters of that year.

When Jane Austen refers to Ireland or the Irish in her books or letters, she is referring not to the ordinary Catholic Irish, but rather to the Protestant ascendancy; a group of people still thought of by "native" Irish people as English, regardless of how many generations they had lived in the country. However, it seems as though the Irish ascendancy were generally more relaxed in their manners than their English counterparts. A couple of throw-away comments of Jane Austen's show us her opinion of what Irish men's manners were, or should have been.

Even of her one-time beau, Tom Lefroy, she writes:

I am almost afraid to tell you how my Irish friend and I behaved. Imagine to yourself everything most profligate and shocking in the way of dancing and sitting down together... He is a very gentlemanlike, good-looking, pleasant young man, I assure you.

Jane Austen to Cassandra, January 1796

The last seems to be added to contradict some of Cassandra's expectations to the contrary, based on her knowledge - or rumours - of Irish manners.

Perhaps those rumours were not always unfounded. In 1804, while on holiday in Lyme Regis, Jane is both flattered and affronted by a young man at a ball who makes clear his interest in her.

...had I chosen to stay longer I might have danced... with a new, odd-looking Man who had been eyeing me for some time, & at last without any introduction asked me if I meant to dance again. - I think he must be Irish, by his ease, & because I imagine him to belong to the Honble Barnwalls, who are the son & son's wife of an Irish Viscount - bold, queerlooking people, just fit to be Quality at Lyme.

Jane Austen to Cassandra, September 1804

Yet there was a romantic sensibility about Ireland that was in vogue at the time. Although Jane Fairfax did not follow the Campbells to Ireland, we are given an image, through her correspondence with the new Mrs Dixon, of a beautiful verdant country that would be pleasant to visit. Irish linen and lace were popular above other varieties, and Irish airs and melodies were to be found in every drawing room and ballroom.

Jane Austen may have never followed Tom Lefroy to Ireland; but in 2007 "Jane Austen" (Anne Hathaway) did. The atrocious film "Becoming Jane" was shot on location in Wicklow and Dublin, which interestingly were the real-life haunts of the real Tom Lefroy. Ireland was chosen as a location because

"Hampshire now is groomed and manicured and what we were able to find in Ireland was a sense of countryside that felt more unchanged. That was one of the things that I really wanted to get... a sense of the landscape in which Jane Austen grew up. Ireland also has a great variety of Georgian houses and older houses as well. I think it gave us quite a different and interesting look for the film."

(Julian Jarrold, director)

So, would Jane Austen actually have liked Ireland if she had ever visited? I'm inclined to think that she would have loved the countryside, and equally inclined to hope that, like Jonathon Swift, she would have been appalled by the poverty.